Writing on an iPad

I have been steadily moving away from Apple products for years. I traded in my old iPhone for a Samsung three years ago and my macbook for a windows laptop last year. So it was something of a surprise when I found myself looking at iPads when they were on sale at Best Buy. I had been wanting a tablet for awhile. Since I go away for weekend trips a lot I wanted something lighter that I could take with me to get some work done (but not too much!) and also keep up with writing. At first I was torn between a Surface, the Galaxy Tab S6, or an iPad. As much as I like windows it doesn’t seem as tablet friendly as I would like and I didn’t really want a secondary device that could run too many of my work programs. As for the Galaxy Tab, I was intrigued by Dex and the included pen but I just couldn’t bring myself to make what is honestly a luxury purchase without being sure that I would get software updates for the foreseeable future. In the end I decided on an 11-inch iPad Pro with 256 Gb of storage, 2nd gen Apple Pencil and an Apple Keyboard Folio.

Now that I’ve been using this iPad for a couple weeks I’ll be sharing my thoughts on its capabilities as a writing machine.

There were a few uses I had in mind:

    – Reading books on Kindle and Google Books
    – Taking notes in class
    – Referencing text books and rpg rule books
    – Writing on the go

In all of these categories it has done great so far. The bigger screen makes Google Books a much more pleasant experience and digital textbooks feel so much more natural when read on a tablet versus a computer screen.

When it comes to taking notes this things works even better than I had hoped. I’ve long resisted digital note taking, but I’ve gotten tired of carrying so many books with me and I’ve been looking for ways to slim down my every day carry. Being able to keep everything on an iPad has significantly lightened the load, and the apple pencil is probably the best stylus I’ve ever used. There are a lot of note taking apps available for the iPad, but I’ve just been using OneNote since it syncs with all my other devices through Office365.

As for writing I was pleasantly surprised. Some reviews I read were critical of Apple’s own keyboard case but I liked its slim profile and not having to worry about pairing or charging it. The key travel is acceptable, not huge, but each key does have a satisfying click when you press it. I might not end up writing a full novel on it, but for the amount of use I intend for it to get it works perfectly. But if that’s not your thing and you want a keyboard case that offers function keys, then products like the Logitech Smart Folio can be found for less money and are well-reviewed online.

The newly added mouse support provides a non-touch option for interacting with the device. You can now link a Bluetooth mouse to your iPad under the assistive touch settings. It’s not what I would choose to use as my primary means of controlling the device, but it makes editing text a whole lot easier.

Mouse support is far from perfect but can be good for productivity tasks

One thing I did not expect to find myself doing on this tablet was much gaming. Seeing as I have rarely given much thought to mobile games I was not expecting to recognize so many titles on the app store. I immediately purchased Rome Total War and so far it seems to run surprisingly well. Now I just need to protect my wallet and keep from buying KOTOR or Stardew Valley or else my productivity will take a nose dive.

Overall I have been incredibly happy with this purchase. It’s always a little nerve wracking to make a major purchase, even if you have given it a lot of thought before hand. I have hardly even begun to utilize the device to its full capabilities and already it has proved its worth. So if you’re like me and wondering whether you can make much use of a tablet I’d consider going to the store and trying them out. They are a lot more capable than you might think.

Note: I may earn from qualifying purchases made through amazon affiliate links.

Top Five Magic Systems

For me the best part about the fantasy genre is the magic. I love reading a book with a well-designed system, one that’s believable and is full of possibilities, and by possibilities I don’t just mean those shown on the screen. In my mind a good magic systems should also be one where the audience can imagine new uses not seen “on screen” based on the mechanics they are shown.

1. Codex Alera

It’s hard to beat the appeal of a simple elemental magic system, but it’s very easy to ruin one. In the Codex Alera series Jim Butcher manages to make an elemental magic system that feels natural, is incorporated into the society seen in the books, and doesn’t fall victim to its creators desire for originality. Instead of the normal four elements, this systems has six, making it more closely resemble the chinese elemental system instead of the greek. For each of these elements there is a countless number of nature spirits called ‘furies’ of varying degrees of strength. Most human characters can manipulate all six elements to some degree, but are only particularly skilled with one or two. High Lords, the nobility of the setting, are distinguished by their power over all six.

I love this system because it is intuitive and because it has been completely integrated with Aleran society. Social status and political power are linked to a person’s magical talents and the power of furies is used in place of many technologies that we enjoy in the real world. This integration is so complete that characters have difficulty imagining ways to accomplish tasks without the use of their furies, putting characters who lack a connection to furies at a severe disadvantage in Aleran society.

The differences we see in urban versus rural perceptions of magic is another facet of this system that I really enjoy. Rural inhabits more readily anthropomorphize their furies by assigning them names and personalities, whereas urban residents are more likely to see their furies as merely useful tools. In my mind different interpretations of the same system lends a does or realism to the setting. Real people have differing thoughts and approach the same situations in different ways, and this is nice to see mirrored in a fantasy setting.

2. Full Metal Alchemist

FMA’s alchemical magic, with its strict rules of equivalent exchange and lip-service to scientific principles, is a perfect system for science-enthusiasts. It’s a system with clearly defines rules and ways to break them, which is important in any high fantasy setting and keeps hand-waving to a minimum. Most importantly, it is a system where the costs are clearly shown; an important consideration in high fantasy settings.

Most of the examples of alchemy we see in the series consists of reshaping matter, but we see from the more specialized alchemists practiced by characters like Mustang and Kimblee that much more is possible. From alchestry’s practitioners in Xing we learn that this is another system that is also open to some interpretation.

Unfortunately we don’t get to see many alchemists outside of the military, but from Shou Tucker’s home and the brief glimpses of civilian alchemists attempting to repair damaged buildings we see a little of what every day life is like for an alchemist who has not been completely absorbed by the military. From the reaction of Leto cultists in Reole and the distrust for alchemy held by the Ishvalens we see that the practice of this magic is not as wide spread as the other systems listed here, but admonishments from characters who believe that alchemists should work for the people and the prominent role given to alchemists in Amestris’ military shows the importance of magic to the rest of the setting.

3. Wizard of Earthsea

The magic of true names that Ursula K. Le Guin shows us in Earthsea is a bit more philosophical than the other systems I’ve chosen to include. In this system words have power and people jealously guard their true names. Names are power in this setting, and fully trained wizards dedicate years to learning the true names of everything around them. The consequences of having this power come up several times. The balance of the world puts an inherent limit on what a wizard can do. Many spells are in fact illusions because creating something from nothing would upset the world’s equilibrium.

With the exception of the Kargish lands, magic is thoroughly integrated into the society of Earthsea. Practitioners of magic range from hedge witches, to weather control wizards on ships, to royal advisers. In the first book we are shown the importance of magic when Olgion, a sorcerer, is present for Ged’s naming.

4. Powder Mage

Brian McClellan created multiple magic systems for his Powder Mage series. Normally I am hesitant to embrace a setting with multiple distinct types of magic but these books are the exception. Privileged, Power Mages, and Blood Mages are all relatively rare and we get the sense that magic has changed over time. This sense of evolving magic makes a great fit for the themes of revolution and change often seen in gunpowder fantasy. The practitioners I’m most interested in here are Knacked; people with a single magical talent that can be anything from never needing to sleep to making crops grow in just minutes.

According to the author the Privileged make up a pseudo-aristocracy within the setting, and Powder Mages have obvious military applications, but the Knacked have the biggest influence on the every day. Knacked abilities can make a person rich, and because both men and women are equally likely to find themselves possessing magical talents the sexes are shown to have equal opportunities available to them. We regularly see female heads of state, generals, and soldiers, all of which would be rare in many other settings.

Most importantly for this list, the powers of the knacked best fit my preference for magic that is integrated into every day life. With abilities ranging from mundane to extraordinary the knacked fit into a wide range of niches whereas this setting’s other practitioners are mostly shown employed as either super soldiers or living artillery.

5. Dungeons and Dragons

On first glance this is the most rigid system that I am listing here. Each spell has specific guidelines for who can use it, what it costs, and what it does. The systems also requires players to prepare their spells ahead of time. At first this need for planning and preparation might seem limiting compared to looser systems where spells can be made up on the fly, but D&D players are (in)famous for reading the fine print and coming up with new and creative uses that stretch the limits of what is actually allowed. Go on any D&D forum and you will find users sharing and debating uses for popular spells like Prestidigitation and Thaumatugy. That this system can be interpreted so differently depending on play styles is one of this system’s strengths.

Just how integrated magic is with the rest of the setting will depend on the setting and your group’s DM. Even so, the need for spell components and the utilitarian applications of many spells allows DMs to create settings with entire magical economies with spellslingers on every corner if it suits their campaign.

Worldbuilding: Getting Started

Spend some time of r/worldbuiling and you will see that many posts are from new users asking how to start worldbuilding. The short answer to this is simple-however you want! But since it seems to be such a common question I decided that I would outline my worldbuilding process here for anyone who wants to start but isn’t sure how.

1. Pick a Medium

There are a lot of ways to organize your worldbuilding. For most of my projects I like to start with a nice notebook. This comes with a few limitations, it can be hard to keep topics organized and it can be hard to go back and change major details and keep everything looking neat, but if you are as fanatical about writing implements as I am then it’s a fun way to worldbuild and use your favorite pens at the same time.

Other people use OneNote, word documents, personal wikis, or services like WorldAnvil. In the end it doesn’t matter what medium you use as long as it suits your needs or preferences.

2. Have an Idea

A lot of career advice talks about having an “elevator pitch” ready and you should have the same for your setting. If you’re making a world to run a table top campaign then this pitch might come from your players. Maybe your players want to run a wizard mafia, or find an abandoned city in the far north surrounded by frozen tundra. If you’re worldbuilding for fun or for a story you plan to write you might ask yourself what would happen in a world where the industrial revolution happened a few centuries early or Rome never fell. Once you have a theme to explore or a specific scene in mind you’ll find it much easier to make a setting where those themes or scenes are possible.

3. Pick an Era

Deciding on the level of technology found in your setting is important. It establishes the tools available to your characters, the capabilities of governments, and the resources that countries are willing to go to war over. In a world where everything runs on steam coal will be a much more valuable resource than oil, but if you’re writing diesel-punk this dynamic will be reversed.

When I pick a technology level for a setting I tend to think in terms of centuries. This is just to help visualize the kind of technology and tools available in your setting and should not feel like a limitation. In the end this is your world, if you want to introduce a new technology or put a new spin on historical inventions then do it!

4. Magic

Easily accessible magic will drastically change the dynamics of your world, so deciding if magic is common, or if it exists at all, should happen early on. You should also consider outlining the limits of your world’s magic and whether it can be classified as “hard” or “soft” magic.

If you are considering a world in which divine intervention is a regular occurrence, this would be the time to do it.

5. Make a Map

Our culture is shaped by our environment and who we come in contact with, our economies are shaped by the resources available to us, and these along with other considerations shape the conflicts we engage in. Since you are probably not going to start from the creation of your world and move forward, you’re going to need to picture the “current” state of your world and work backwards to decide what geographic features might have contributed to its current predicament. Mountains, rivers, and oceans can form natural barriers and help explain why a certain culture has stayed relatively isolated, the positions of trade routes, harbors, and rivers will decide where your major cities go.

Scale is important to think about here. You might be tempted to create an entire world map on your first go, but you should consider how much of the world you need to show for your story. Mapping an entire world is fun, but you might find yourself biting off more than you can chew. To combat this I now only map out the region that I plan to focus on and wait to flesh out others areas until I need them.

6. Fill in the Rest

This is the part where you let your imagination run wild. Outline character bios, write the histories of obscure locations or the stories of empires. There’s not really any wrong way to do this. It’s your setting, do what you want with it.

Riots & Rebellions

Revolutions can be an essential part of your narrative. Your story could begin with a coup, as happens in Brian McClellan’s Promise of Blood, or the story could lead into it with factions coming together and tension rising as the plot progresses. The revolution may also be in the distant or recent past, and can be the reason your setting is on the path that it is. Revolutionary rhetoric can shape your the worldview of your characters and their motivations. Fears of another rebellion or factions who feel like the last one didn’t go far enough can be great sources on conflict within a setting.

Breaking Point

One thing that you will have to decide quickly is what circumstances provided that catalyst for your revolt. At what point did things get so bad that the people decided that they had no choice but to rise up? Were there negotiations leading up to the revolt, and did one side not agree to terms or did someone decide that the terms agreed upon were not enough? Finally, was the revolt planned? A well-coordinated coup might be planned over months or years, or fighting might break out almost spontaneously and force both sides to prepare for a conflict they hadn’t yet prepared for.

This breaking point should also tie into the demographics of the rebellion and its scope. Coal miners rioting against decreased wages or worsening conditions will have a very different set of concerns than noble landowners trying to get out of paying the taxes they owe to the king. This sets up different ends goals for the conflict and the scope of change they want to see. The coal miners want a change in working conditions, while the nobles want a change in leadership.

  • While protesting increased bread prices, someone throws a rock at the troops called in to keep the crowds under control. The troops respond by attempting to disperse the crowds and several people die. The rioters now shift their focus to occupying neighborhoods and government buildings.
  • After losing yet another election, the leader of the opposition realizes that the ruling party never meant for fair elections in the first place.
  • Not wanting to risk their lives in what they see as another pointless attack, soldiers at the front stage a mutiny. The war-effort is now at risk of failing if the government cannot reach an agreement with the mutineers.
  • In order to pay his debts, the local lord raised the tithes owed to him by his estate’s serfs. Life is already hard on these serfs and they know that this increase will leave them close to starvation.
  • Wanting expanded civil rights and a constitution to limit the powers of the king, the people go out to the streets to protest, effectively shutting down the capital and trapping the king in his palace.

Leadership

Leadership of an uprising is important because it determines the public face of the movement and its objectives. Establishing clear lines of communication and being able to efficiently utilize resources in the face of what is likely a much better equipped adversary will have a huge role to play in a rebellion’s success or failure. A charismatic leader can attract more recruits and convince potential allies to take the movement seriously.

Forming coalitions that result in multiple leaders may give the rebellion the strength it needs to be successful, but several factions united only in their desire to see the old king overthrown will likely cause problems down the line if the leadership is divided between moderate and radical ideologies.

  • After deciding that the kingdom needs a new ruler, the rebellious nobles gather to elect one of their own to lead. They pick one who had blood ties to the throne, giving their movement some appearance of legitimacy.
  • Hearing of riots in the capital, the leader of opposition returns from their years of exile to lead the revolution. They find that new rivals for control of the movement have risen to prominence in their absence.
  • Realizing that they lack the resources to win the war on their own, the leaders of the opposition make an alliance with a group of disgruntled army officers who bring their troops and expertise to the side of the rebels.
  • The rioters succeeded in overwhelming the local garrisons and now have control over the city but lack a clear path forward. Several prominent citizens step forward with competing visions for the revolution.
  • Deciding that victory now is more important than ideals, the leaders of the rebellion invite a foreign ruler to join the conflict. Some in the movement worry that this new player is not as sympathetic to their cause as they claim to be.

Response

Once the rebellion begins, the existing government will have to decide on its response. For a monarch there are essentially four basic actions they can take; concede, abdicate, suppress, or do nothing and hope it goes away. There are pros and cons to each of these responses and what action the monarch takes will depend on how secure they feel in their position.

  • Unsure of the army’s loyalty, the king’s advisers convince him to abdicate in favor of a relative who they believe will be able to rule more effectively.
  • After several weeks of protest, the king relents and agrees to grant the people a constitution and a representative legislature.
  • Realizing that the rioting is confined only to the capital, the king calls in the army to put down the uprising. After several days of fighting in the streets the city is left in ruins and rebels are either captured or scattered.
  • Not wanting to shed his own people’s blood, but also not willing to give up his authority, the king gives contradictory orders to his troops and his stance on the matter seems to change from one day to the next. This allows the protesters time to coordinator their efforts and strengthen their position.
  • Unable to rally a force large enough to put down the rebellion, the king looks for foreign allies willing to lend their armies to the defense of the regime.

Aftermath

So the war has been won, or the riots put down, or a constitution granted…what next? If the rebels win they’ll have to form a new government and prove its legitimacy, if the king granted a constitution they will have to grow accustomed to the new limits on their authority. Have the results of the uprising led to a bright future for the country, or set it up for another crisis in a few years?

  • Although they have been granted a constitution and a legislative body, reformers soon realize that the assembly has been designed to serve in an advisory role and its actual powers have been limited. Discontent begins to build again.
  • After brutally suppressing the rebellion the government cracks down on the underground newspapers and secret meetings that led to the revolts in the first place.
  • After several weeks of fighting the leaders of the peasant rebellion have all been killed or captured. For the rest its a return to life as normal, although the lord now realizes the danger to himself that comes with raising taxes and lowers them to their pre-revolt levels.
  • With the help of several nobles the rebellion was won, now the elites who assisted in this victory expect to receive their rewards. As titles and lands are handed out to them, the people begin to wonder what exactly they had been fighting for.
  • The opposition party has overthrown the king and seized power. They come into government expecting to make broad reforms but soon realize that the country is deeply in debt to foreign creditors. Lacking confidence in the new government’s ability make payments, these creditors attempt to collect what they are owed before the new regime goes bankrupt.
  • Fearing a disruption to the established balance of power, neighboring nations move to contain the rebellion, putting forth a distant cousin of the deposed king as the new heir. Worn out from the fighting, the revolutionaries are now forced to prepare for a new conflict.
  • Now that the war is over the provisional government must decide when to hold elections. Some within the council want to hold elections immediately before their rivals have a chance to gather support. Opposition to this results in a deadlock, and some begin to lose faith in the new government.

Map of Olsecheny

I’ve decided that it’s about time I shared the map of where my current WIP takes place; the island of Olsecheny.

Rocky, cold, and barren, the island was claimed in the early days of Danic colonialism, but with an apparent lack of natural resources it was mostly ignored by surveyors who would at most land to hunt game for the ship’s cook. It was only when Prince Breton, the youngest son of the Danic King, was made governor of Rahl that the island began to take on any importance.

Breton, who was known for his melancholic moods, found a sense of peace in the island and soon he was spending his summers there, governing Rahl by proxy. He first established the town of Breton’s Landing and engaged in trade with the natives for furs as a way of justifying its existence, but most of his time was spent exploring the island with a small retinue. It was during these journeys that the Prince created some of his most famous poetic works. It was also during this time that he built up a favorable relationship with the native Ouro and married the daughter of one of their chieftains.

Things took a turn for the worse when his father died and his older brother Atias II was crowned King of Danica. Atias II had a long-standing grudge against Breton and began demanding a more ruthless exploitation of the island’s resources. He justified this by claiming that Breton’s was spending far extravagantly on what was essentially a royal hunting lodge, but in truth the cost of maintain Breton’s Landing was little more than a footnote in the royal budget. Atias II just hated his brother.

Breton resisted the inflow of colonists to the island. Atias began using the island as a penal colony, and danic hunters increasingly clashed with the Ouro. When gold was discovered in the island’s central highlands, Atias II decided it was time to push the Ouro out completely. This action was viewed negatively not only by Breton’s supporters but by a significant portion of the Danic nobility. The Ouro were technically one of the Ten Tribes of Danica and pushing them off of their land was seen as a flagrant violation of the National Compact. But in the end Attias II got his way. Breton resigned in protest and went into exile in Olsecheny’s highlands where he eventually died.

Today, the island is one of the few remnants of Danica’s former empire. While the gold mines continue to turn out a modest profit, national pride is the main reason for keeping it. It’s defense is overseen by a mixed assortment of local militia fighters and soldiers who have fallen out of favor back home in Danica as well as a squadron of olish ships who patrol the region in exchange for use of the coaling facilities at Olsecheny.

Designing Your Monarchy

Monarchs are a central feature of nearly all fantasy. No matter what there is bound to be a king or queen found running around somewhere. Monarchs may occupy the role as both hero and villain in fantasy, and in flintlock fantasy their overthrow may be a central theme.  Knowing which form of government your monarch functions in will give you more options to flesh out your setting and create conflicts to move the story forward.

Feudal Lords

Since many stories take place in their world’s version of the Middle Ages we might as well start with the system of governance that was popular in Western Europe during that time. In these systems the king wont be much more then a wealthy landowner. It’s important here to remember that being king doesn’t necessarily mean anything. What the king is able to do will be limited by their ability to raise funds and convince noble landholders to follow them. You might also see a lack of well-defined borders, and lords of one country may be free to make their own treaties with lords of another.

Robb Stark struggling to keep the support of the Karstarks is a good example there being no guarantee that the king’s orders will be followed.

Autocrats

More powerful than a simple feudal king. An autocrat, at least in theory, wields absolute power. Nobles serve at their pleasure and their authority is backed up by the strength of their armies. All monarchies are beholden to the whims of the ruler, but in an autocratic regime where there are even fewer limits on the ruler’s power, the government will be especially vulnerable to the mood swings and fancies of its ruler.

We can expect these upheavals to be most evident shortly after a new ruler has come to throne and begins replacing their predecessors advisers with their own. If they had any ill-will towards their parents, this would become obvious as they begin to do away with the institutions built by their parents.

For a real life example you can look to the Russian Tsars. They were autocrats with many different styles of rule. Some even believe in enlightenment principles but excused their failure to enact them by claiming that they would never work in Russia.

Elected Kings

The election may be a one time occurrence or a regular affair. A one-time election may happen following the death of the previous monarch. If no satisfactory heir is available to nobility may opt to chose one for themselves. This happens in Adalbert Stiftler’s Witiko and is also how the Romanov dynasty came to power in Russia. In other lands such as the Holy Roman Empire, electing a ruler was more routine. Elections could be bought by paying off electors or otherwise convincing them to vote for a particular candidate. By manipulating this system a single family can stay in power for generations even if the position in not actually hereditary.

Constitutional Monarchs

At one point these rulers were likely autocrats or feudal lords, but since then their power has been greatly diminished. Constitutional monarchs have had their power limited by the imposition of constitution which outlines their rights and those of their subjects. Who wrote this constitution and the conditions under which it was written will ultimately determine the content. A constitution written to preempt an uprising will be far less generous than one pried from the king. What’s most important about these types of monarchies is not necessarily who the government gives a voice to, but who it does not.

Suffrage may be extended to the entire population or only select parts of it, but for our uses it easiest to assume that voting power lies in the hands of the wealthy landowners, nobility, or possibly members of the priesthood. At first the power of these voters and the limitations placed on the monarch may be relatively small. Parliament for example began as a way for the king to raise taxed from the nobility. But what this does is force the monarch to negotiate with the nobility when they need funds, and may be forced to make concessions in order to get their support.

Divine Will

Many rulers in our own history have claimed that their power is granted to them by gods, claimed relation to a god, or claimed to be a god. But in many fantasy settings it’s not out of the realm of possibly that you’ll find deities walking alongside your characters. A civilization ruled by an immortal demigod or an actual deity is going to have a very different political structure than any we’ve seen. How well will a revolution go if the monarch can call down hellfire to smite their rivals?

Usurpers

Every so often someone comes along and decides that they would make a better king than whoever currently sits on the throne. This person may or may not have a strong claim to the throne through family ties and will have come to power by exploiting a succession crisis or and incidence of weak leadership on the part of their predecessor. Once they’ve seized the throne the big question is whether they will be able to keep it. An usurper may seek to marry someone related to the previous ruler in order to legitimize their claim to the throne and generally look for ways to assert their legitimacy. Upon their death the legitimacy of their heir’s claim to power may also be in question.

Death is my Friend

I know, I know. You’re probably thinking “Charlie shouldn’t you be asleep?” or “Charlie don’t you have work to do?” The answer to both of those questions is yes. But instead of dwelling on them you should read the story I just wrote. It’s based on a writing prompt I saw on reddit this morning that I will link to at the bottom of this post.

“It really is okay,” I told them.

They all nodded together, holding back tears. They tried to put on a strong face, all of them. The kids, the wife, but I knew they were just doing it for me. I knew that seeing me like that was tearing them up inside. The cancer that had at first seemed beatable had gotten worse and spread. They had had to watch as my body withered and I was forced to entertain well-wishers sent by the White House, university deans with honorary degrees, and foreign dignitaries intending to pay their respects. No one, it seemed, could just leave me in peace while I died. Everyone wanted to get one last word in. Although, I suppose that was partially my fault.

Gathered around my hospital bed were my closest friends and family. Even more were waiting to see me in the lobby. I’ve made a lot of friends in my time, I’ve always been good at it. My friend Richard can fly and pick up a tank if he feels so inclined, Paul can conjure up illusions so convincing you won’t realize what happened until you’ve already walked yourself into the jail cell, Ashley could conjure flame.

Me, I make friends. I’ve got an irresistible charm that makes me people like me no matter how hard they try no to. So, while the others were putting bank robbers behind bars and making sure aliens kept well away, I was always in meetings. I convinced investors to fund the Watch Tower; a huge complex built to train and house the next generation of heroes. I spoke for the UN and through those efforts managed to not only achieve nuclear disarmament, I also got a world wild environmental protection fund established.

I’m not saying all of this to brag, it happened. Okay, maybe I am bragging a little. But it’s important for you to know the context, and why I have Nobel Peace Prize sitting in my office. My power isn’t dramatic, I can’t level a building, or fly, but I can make friends, and I see that as its own superpower. It’s hard to break down barriers and get people to the negotiating table.

I had done a lot. But at that point I just wanted some rest. Some peace. I don’t blame everyone for wanting to see me. It’s hard to say goodbye. For me though it was infuriating to have all of them around me constantly with their failed attempts to hide their sadness and concern. To be completely honest, I hated the looks of concern the most. All through my life, whenever someone learned what my power was, they looked at me with concern. No matter what I accomplished they doubted whether my power to make friends and win people over was a real power at all. Everywhere I’ve ever turned there were people who felt I needed to be shielded. Protected from the dangers of the world.

I was sick of it.

Surrounded by well-wishers and grieving family I did the only thing I could do in order to get some peace. I pretended to sleep. I learned early on during my stay at the hospital that people got quiet if you pretended to sleep. Although I could feel their eyes on me, wondering if I had just died.

Quiet whispers filled the room. Some of them were talking about me while they though I couldn’t hear. Others made small talk about the weather and other boring topics.

Slowly, ever so slowly, the room grew cold. I had first felt the chills that morning as a faint tingling in my fingers. There was no reason to be surprised. Death is a frequent visitor at any hospital, and as the day had progressed, I had felt the cold grow and move up my arms. Death was getting closer.

Eventually the cold spread to the rest of the room. My guests made the requisite comments about a sudden draft – the polite way of saying what they all knew was coming. I didn’t feel cold anymore. Like a man suffering from hypothermia I felt a sudden warmth. I felt myself smile despite myself. It was the first real smile I had had in days. Death was nearly there.

For all human history there have been accounts of the Grim Reaper, or someone resembling him. Countless scholars had debated his exact appearance, his goals, whether he was sentient or just a construct of our own minds. His was a much-dreaded visage around every deathbed. His passing left only sadness in his wake accompanied by tales of a ghastly visage and a terrible scythe. Almost all see him as a butcher culling his human herd. No one understands him.

Except me. He’s more of a lonely shepherd. A protector that sees us on to whatever it is that comes after this, one who cares deeply with his flock but must keep his distance.

The door opened with a slow creak. One of my guests, I think it was my cousin Leah, let out a shrill scream. The rest were silent.

“Jim?” asked a raspy voice.

I felt a grin split my face and I opened my eyes. “Hey Grim,” I said. “It’s been awhile.”

Death’s pale eyes stared at me with his pale eyes for what seemed like an eternity. He no longer carried the scythe and robes that so many knew him bye. He had given up the scythe decades before after its weight had started to give him back problems. He had turned him the robes for a tailored suit at my urging.

“I,” he said. “I didn’t know you were here.”

“Really? I thought you had lists of these kinds of things?” I replied. While we talked, I noticed my guests looking on in horror. Death rarely talked, and whenever he did it would inevitably result in dozens of books and dissertations arguing over the exact meaning and significance. Now Death was in my hospital room, greeting me as an old friend; which I was.

“I do,” said Death almost sheepishly. “But I have so much work these days it becomes a blur. I hardly have time to sit and think. Sorry. I should have thought to check in more.”

I smiled and dismissed his apology with a wave of my hand.

“No problem at all,” I said. “We all get busy. Lunch?”

“I, I don’t know,” said Death. “You don’t look too good.”

“You can fix that.”

Death looked over his shoulder, as if someone was watching.

He sighed. “I’m not supposed to do this. But alright…”

There was no change in Death’s demeanor. No sign that he had done anything at all. But in an instant, I felt all the pain that had troubled me for months slide away. Suddenly I could breathe easy again and strength flowed back into my atrophied legs.

I leapt out of bed. A move which elicited many shocked gasps from my guest. All hint of worry had disappeared and was replaced by a mix of horror and bewilderment. I took a moment to bask in their reactions knowing it would be the last time any of them ever thought of me as weak, then I turned to Death.

“How does Chinese sound?”

This Weekend’s Book Haul

I have a weakness for books.

I’ve starting telling people that reading is not a main hobby of mine, instead I say its buying books. It’s not that I don’t read them. I do. Eventually. I just buy them faster than I can ever seem to read them.

There is just something incredibly soothing about being in a book store, and if I have money in my pocket then it can be hard to stop myself from taking at least one home with me.

I am excited about all of these books, but the ones I am most looking forward to reading are The Lord of the Rings and The Hobbit. I originally read both for the first time in middle school, but I have been wanting to re-read The Lord of the Rings and decided to get a more premium edition to go with the Earthsea Omnibus that I got in October. Then, when my mother saw what I had bought she decided to gift me her illustrated edition of The Hobbit. Which to me seems fitting since it was originally because of her recommendation that I first read these books all those years ago.

Now all that’s left for my collection is a new copy of Dune. Anyone know where I can get a nicely bound version of the book?

New Map Day!

Look up at the header and you will see the latest iteration of my map of Ancorda. I’ve whittled away parts of the continents and rearranged the rivers, as well as added a few lakes in the north. You wont see any cities on this version though. Some of them are being removed and a few others rearranged. So stay tuned for updated versions in the future!

Mine Shaft

A quick story I wrote for a post of r/simpleprompts while I put off studying for finals. The link to the original post is at the bottom.

“I’ve waited…I’ve waited all these years,” Arnold huffed as he staggered towards the mine shaft.

After years of endless search and suffering Arnold was finally nearing his goal. He wasn’t as spry has he had been when he first set out. Age and injury had taken that from him. Ten years on the road can be hard on a man, and several broken legs had left him with a permanent limp. Nor was he as handsome. There was a time when he could have drawn the eye of every woman in town but those days, he knew, were long over. His hair had greyed, he had let his beard grow long and unkempt, and a grisly scar now disfigured his face. Others may have been dismayed by these changes. But he had long ago stopped caring about such things.

All that mattered was his hunt. That hunt was about to end.

He had hardly believed his luck when he had found his foe making camp in the mine shaft. For a decade the beast had been one step ahead of him. Always just a little out of reach. Finally, Arnold had the drop on him.

The task had required great care and some measure of skill. He had bought dynamite in the nearest town claiming he was a prospector looking to revive a few abandoned claims. He spent hours in the dead of night wiring the mine shaft to blow. It had taken all his self-control not to lash out, not to call his foe out right there. That, he knew, would have been futile. He would have lost.

Finally, as the sun crept up over the horizon he retreated to the detonator and cried out.

“Come out here you bastard! Come and face me!”

As soon as he saw movement in mouth of the tunnel, he pressed the detonator. Now he stood at the tunnel’s mouth. Sore from the exertion, tired from the sleepless night. There had been a time when he had dreamt of this moment. In his dreams he had written speeches that he imagined he would give over the creature’s corpse. Written epitaphs for any future traveler’s who found it’s grave. He did not care about any of that now. He just wanted it to be done.

Wearily, he drew a large hunting knife from his belt. A gun wouldn’t do. Then, from his pocket he drew a smaller knife and with it he pricked his thumb. Blood would be needed.

With his bloody thumb he traced on the blade the rune that he would need to kill the creature. In some ways his discovery of the rune had been a miracle. He had laid down drunk and defeated in a gutter, convinced that his quest was futile. In the course of that night he had contented himself with the prospect of drowning in the runoff. It would have been an ignoble death, but he and others would have been able to write it off as an accident, allowing him to go into the next lift with a comforting lie. When a strange man with a knowing smile had approached him and promised him the solution to all his ills.

To another man the rune might have been a curse. It was an evil thing. One not meant for this world. Its very presence was an affront to life, to warmth, to all that was good. It was Arnold’s only hope.

The simple act of writing it on the blade drained his strength, looking at it made his eyes ache. Already he felt the rot festering inside him. Holding the knife for too long would bring him ruin. Thankfully, he only needed it for a few moments more.

With his weapon prepared he entered the mine shaft.

There his foe lay buried beneath mounds of rubble. The snarling face was stuck somewhere in between man and beast. The blast had caught him in the middle of his transformation. In his enemy’s eyes, Arnold saw a flash of recognition.

He did not hesitate. There was no time for doubt. Every minute wasted was another minute that the creature could use to escape.

Moving carefully, he knelt down beside the beast, who lashed out with clawed hands but was unable to reach him. Arnold took the knife in both hands and raised it far above his head. His body trembled. The rune was sapping his strength. He was running out of time now. He had to act.

He took a deep, sobbing breath, and rammed the knife into the thing’s chest.

 

“I waited…I waited all these years” from SimplePrompts