I was torn when I did this for Zima Blue. I understand that movies will always be different from the stories they are based on. These differences are completely understandable in many cases. Some things don’t translate well, would be too expensive to depict, or need to be cut for the sake of time. In Love, Death & Robots, the screenwriters only had about ten minutes for each story. That isn’t a lot of time to portray the complexity of even a short story. With that in mind, I think Netflix could have done a lot better with this one.
Beyond the Aquilla Rift is about a starship that finds itself light years off course. The ship’s captain emerges from hibernation to find that he has traveled so far for so long that everyone he ever knew back home is long dead. But it’s not all bad because at this remote outpost, he meets an old flame by the name of “Greta.” Greta changes her story a few times but eventually tells him that her ship became stranded in this remote locale through a mishap similar to what stranded his. This is also a lie. His ship is, in fact, the first human ship to ever arrive at this remote station. The captain, we learn, never woke up from hibernation. Everything he experienced was a simulation fed to him by the entity that took care of all the lost souls that came to it.
The animation LDR’s version is gorgeous, and like all good sci-fi, the ending both answers questions and introduces new ones. But I can’t bring myself to hold both versions at the same level as I did with Zima Blue. They are different, and that is okay, but the adaptation makes too many jumps. The protagonist’s realization that things are not as they seem is far too abrupt. Rather than spend as much time as they did on a gratuitous sex scene, I think the writers would have done the story better justice if they had shown us some of the inconsistencies in the simulation, the little details that hinted that something just wasn’t right.
If I had to give both a rating, I would say the LDR’s version would get a 2/5, and the original written version would get a 3.5/5. I am not a fan of this kind of story in general, but I think it is well done. LDR’s version is visually stunning, but it doesn’t show us enough to really understand the predicament the protagonist finds himself in.
I hope you liked this review. Because I just found out that all the short stories that inspired season one is available as a single anthology, so there are going to be a lot more posts like this.
I’ve been on a bit of an Alastair Reynolds kick lately, mainly centered on the author’s revelation space books. As usual, whenever I get invested in a new series, I seek out more in search of more doses of dopamine, which led me to purchase a collection of short stories that Reynolds has written over the years. This endless search for dopamine brought me back to one of my favorite Netflix originals; Love, Death & Robots.
Love, Death & Robots is a Netflix original series consisting of short episodes that bring science fiction short stories to life. Alistair Reynolds had two stories featured in the first season, one of them being Zima Blue.
The story is about a cyborg artist in the far future named Zima. It is told from the perspective of a journalist who has finally been granted an interview with the reclusive artist on the eve of the unveiling of his final work. Zima, we are told, began his work in painting portraits of the cosmos before graduating to increasingly abstract works featuring his trademark blue color, works so large that a single mural could encapsulate a planet. But the story is not so much about Zima’s art as it is Zima’s search for his truth, and in the written version, it is also about how Zima inspires the journalist to search for her own truth.
Both versions of the story are good. Netflix’s version portrays Zima’s story in a much clearer fashion than Reynolds did. However, I can’t help but feel that the story’s message is lost in the retelling. The story is not just about Zima’s search for truth; it is also about his interviewing coming to grapple with what the truth is. Zima, for example, asserts that the falsehoods created by our imperfect memories are what allow truth to come about. Truth in art anyway.
Both versions of the story are great, and I recommend both. Both make the audience ask questions, but I recommend reading the original for a complete formulation of that question.
I grew up with shows like the Gilmore Girls playing in the background. My mom really liked the show when I was younger and I don’t think she realized that I was actually paying attention. Then, a few months ago, I was looking for a new series to watch with Emily and my mom decided that it should be Gilmore Girls.
Emily was unsure, but I know a trick that works every time. All I need to do is put the first episode on and Emily will watch it. She wont say anything, she might even pretend not to be interested. But then I let a day or two pass and before too long she asks if we can watch another episode. Works every time.
So that’s what we’ve been watching on and off the past several months and we’re on season three now. Although the show was aired in the early 2000s, which is basically forever ago, it’s still a good show if you are looking for something fun to watch that wont force you to pay too much attention.
Here are some reasons.
It’s About A Single Mother And Her Daughter
Gilmore Girls is unique because it follows a single mother (Lorelai) and her teenage daughter (Rory). They are also best friends, and this is really the main premise of the show. The important thing about this is that they are independent to a fault. Both of them are completely comfortable being themselves and the people around them love that for that (although the grandparents do get annoyed).
Dating comes up frequently, but it’s not the focus of the show. Mother and daughter try to help each other navigate various social and romantic situations but there is never a need to have “man of the house.” In fact, both characters chaff when male characters try to assume that role.
The Grandparents Are Hilarious
Richard and Emily Gilmore are Lorelai’s wealthy and oftentimes estranged parents. In the very first episode Lorelai is forced to her parents to ask for money for Rory’s education and in exchange her parents require her and Rory to visit them for dinner every Friday.
At first their relationship is very antagonistic but later evolves as the elder Gilmores learn to be more accepting and a little less stuck up all the time while still making it clear how they think that Lorelai should be living her life. On second thought, no they don’t act less stuck up, but they have their moments and are endearing in their own way.
The dynamic between the two when Lorelai first asks for money is what I enjoy most. For the most part Richard Gilmore has a friendly demeanor and rarely gets as involved in the family bickering. He is more than happy to write Lorelai a check, it’s Emily Gilmore that wants conditions placed on the money. I like the idea that he and his newspaper are just along for the ride.
Kirk Will Make You Grateful You Don’t Know Him
Kirk is a reoccurring character who does all sorts of odd jobs around town. At various times he works as an exterminator, amateur photographer, skin-care inventor, and a lot more. He is also insufferable. Everyone in town is annoyed with him about 95% of the time.
Every time Kirk makes an appearance you just know that he’s about to make someone uncomfortable. He’s the kind of character that is fun to watch and great to not know in real life.
Luke Has The Best Tantrums
Luke owns the local diner and is a close friend of the heroines. Lorelai and Rory go to his diner just about every day so that Lorelai and Luke and can verbally abuse each other while Lorelai drinks what Luke is sure is too much coffee.
Luke serves as Lorelai’s “love interest” for much of the show. Or at least he’s the one everyone thinks/knows should be her love interest. More important are Luke’s constant fights with Taylor. Taylor is the man who owns the local grocery store who is far too uptight and has far too much influence in town. Luke hates everything Taylor represents, or at least acts like he does. I’m not sure. Doesn’t matter really as long as the fights are fun.
I like serious shows. Emily doesn’t. I probably watch too many serious shows. Gilmore Girls is a great show to relax while watching. It’s a nice slice of life that lets you follow the characters’ ups and downs. It’s also a lot of fun. Stars Hollow, where the story takes place, is a quirky small town that the show makes you wish it exists.
Really though, just watch it. The troubles and anxieties of the characters are endlessly relatable and entertaining. You wont regret it.
This post was a little different from what I normally do. If you want to see more Gilmore Girls content let me know on twitter @expyblg or shoot me an email at firstname.lastname@example.org. If you really like this content and want to help me make more you can buy me a coffee or visit my store on Redbubble.
I began watching (several years late) knowing that fans have a love/hate relationship with the show. Nevertheless, I tried to keep an open mind and managed to make it through to the end. And I have a lot of thoughts. I struggled writing this post, I tried to write a coherent essay about the Legend of Korra. Instead have this listicle.
If I had to sum up my thoughts about what was wrong with the series it would be this. It had a lot of potential, multiple good moments, and a lot of missed chances.
If you’ve read any of my other posts you’ll know by now that I love magic systems and bending is no exception. The world of Avatar is one of the few examples of a fantasy world where elemental magic doesn’t feel like the cliche. It feels real and it’s an integral part of the setting and culture. Getting to see subsets of bending reach maturity, especially metal bending, is just great.
It was also great to see an airbending master let loose. Don’t get me wrong, Aang is great, but he never really put his airbending on full display like Tenzin does in this series.
Finally, I was glad to see the creators stick with giving each style of bending a distinctive visual. Pro Benders, the professional athletes of the Avatar world. have a very distinctive style regardless of element that shows a focus on quick attacks and agile dodges. That this style of bending rarely holds up outside of the confines of the arena is a nice touch.
The main issue with the bending in this series is Korra’s weakness. Already at the beginning of season one it’s implied that she has already mastered three of the four elements. Yet throughout the series she repeatedly get’s brushed aside by her opponents. This is especially apparant in season one when she starts Pro Bending and apparently forgets everything she knows about bending in the process. Her fights with the Equalists are filled with quick jabs like those used in the arena when she could have just brought the building down. By the end of his first season Aang was sinking entire fleets on his own. With the exception of an incredibly cartoonish fight in season 2 we never get that from Korra.
None of the villains were bad exactly, at least the ideas for them weren’t. It makes sense that non-benders would begin demanding equal treatment or that established forms of government would be overthrown or forced to change. Or that people would forget to honor the spirits and cause backlash by doing so.
The problem with these villains is that we never really get to explore their motives. In her role as avatar Korra takes for granted that the world is already the way it should be. In season 4 it’s finally said that Korra helped get better treatment for non-benders but that’s not something we ever see her caring about in the first season while she is fighting Amon.
In Avatar the Last Airbender the protagonists dealt with concepts like imperialism, war , refugees, gender roles, and disabilities to name just a few. Legend of Korra introduces its own ideas, but never really deals with them in the same way. Time and time again Korra sees the problems that gave rise to the villains she has to face and each time she turns the other way.
Not Doing the Thing
So conflicts could have been resolved if the characters had done the sensible thing. I realize that if characters never made mistakes we’d never have story, but LoK has some really spectacular mistakes.
Why for example did Suyin Beifong refuse to restore order in Ba Sing Sei after the Earth Queen’s death? Morals aside, she at the time ruled one of the most advanced cities in the world with dedicated cadre of trained fighters. She had at this point already took her forces out of the city to help the avatar and the fledgling air nomads. Her refusal to help led directly to Kuvira’s rise to power.
While we’re on the topic of inaction. Why in season four was the Fire Lady so unwilling to take action against Kuvira? Given all the work Zuko put into rehabilitating the nation’s image after the war this attitude makes sense to a point. Did she really forget that her son is a part of the army that would very likely have to fight Kuvira on its own if the Fire Nation refused to help?
And why didn’t General Iroh just order his troops to fight Kuvira? I understand that the president had ordered him to surrender but it’s not like he wouldn’t have been able to see what a terrible idea surrender was. Plus as a member of the Fire Nation’s royal family he isn’t lacking in career options. After the role he played in season one, his part in season four was just disappointing.
I actually enjoyed Avatar Wan’s story. I know a lot of people did not. But it didn’t actually contradict any of the existing lore, if anything it gave it greater context, and the different art style made it clear that the story was being told with some embellishments.
The problem I have is with how the spirits were portrayed in the rest of the series. in the Last Airbender the spirits had gravitas. They were forces of nature or strange creatures bordering on being eldrich horrors. LoK’s spirits are essentially neopets that get angry sometimes. It’s no wonder the people of the Avatar World stopped listening to them.
I do however like that Iroh was able to live on in the spirit world. It made sense for his character and as a big fan of Iroh I was glad to see him come back.
At first the huge jump in technological progress that happened between ATLA and LoK was jarring, but it grew on me. The series has a wonderful steampunk/magitech aesthetic and the ways that we see bending and technology intermingle is just great.
With all the advances in technology I don’t quite understand why we don’t see as many non-benders taking part in conflicts as we did the ATLA.
The Legend of Korra had some good moments and a lot of bad moments, but it’s still a fun watch. If you want to see powerful benders driving around in shiny cars then this is the show for you. Like most things, it helps if you watch it for fun and don’t question it too much.
If you liked the first series then you should definitely watch this one, as long as you don’t raise your expectations too high you should still be able to enjoy it. I still don’t think it at all measured up to the first series, but at least I had fun watching it.
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